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Defying the law in Willowmore, Eastern Cape.
Sadly, even though weblogs are native to the Web, authors rarely follow the guidelines for writing for the Web in terms of making content scannable. This applies to a posting's body text, but it's even more important with headlines. Users must be able to grasp the gist of an article by reading its headline. Avoid cute or humorous headlines that make no sense out of context.It is a bit of a compulsion, I admit, trying to have headline that on the face of it says little about the content, but I very often try to at least hide an easter egg of obscurity in there: a reference to something, a clever pun (can puns ever be?) in the knowing that only the saddest of trainspotters, or those that know me will understand the true meaning. I mean, to use all these straight-forward, obvious titles would mean that we actually think people will ever find and read this blog and we would like them to understand the meaning of it all.
Now as a Chinese, I will tell you the truth: People there do not care, they are enjoying their lives too much to care. They have learnt that you have to be indifferent to be able to enjoy. That is to be indifferent to all the unfortunes happening around them and to be indifferent from all the sympathies that foreigners have towards them.Hmmm. Show, don't tell, that's what they taught us in the student press donkey years ago. Cerebus might want to say more....
the blog is up and running, after only two weeks of discussing it. this must rate as one of the most decisive moments of my life - any more decisions at such breakneck speed and my posts will become blurred as well.Cerebus and I quickly realised we're not going to make it alone and Krizz and Thespian joined as well (the latter for one real and several promised posts). So cheers to us for managing to clutter up the Internet with another 80+ Deep and Informed ramblings. Let's see what the next year brings. Hmmm.
cerebus will join soon, as soon as the weight of yet another birthday (july 23rd) wears off.
I’ve been thinking quite a bit on how exactly to put my thoughts on Star Wars Episode III: Revenge of the Sith into words that sum up all the conflicting emotions I have about it. In the end, I don’t think I manage to conjure up stirring prose, but I will back myself against the movie’s script any day.
That Episode III is a spectacle of mind-boggling special effects is undeniable and that alone makes it worth seeing. Whether that makes it a classic that can stand alone on its digitally enhanced feet, I’m not so sure of.
I am admittedly of the faction that feels the prequel trilogy has not lived up to the greatness of the original three films. While I have the Star Wars pinball machine, figurines and tattoo, it doesn’t bring me close to being as serious a Star Wars otaku as some people out there, especially those with a fear of removing packaging. I at least played with my figurines, as my legless 12” Darth Vader can attest after his parachuting accident when he didn’t make the swimming pool. What I’m trying to say is that I dig it, but not obsessively (don’t reread the bit about the tattoo, ok?).
I’m one of millions who have an opinion on how it could have and should have and eventually was done. Yet, we must remind ourselves that the nostalgia associated with the original trilogy stems from a time and place when things were very, very different. In 1977 BJ Vorster was prime minister, television in
Well, then I am wrong.
Or, as Michael Philips in his blog, says in the words of Yoda: “Up, George Lucas has fucked it.”
I think the core of my sadness revolves around how it became to be about George Lucas and not about the movies anymore. By reading a few interviews beforehand (and I could only manage a few – even though the questions were few and far in-between, the answers were all so loooong), the central message to me was: “This is my grand finale, I don’t care who thinks what, it’s my story and I will tell it with my money the way I want to, and I will make history in doing so."
Fair enough. But ROTS suffers from exactly that: a lack of collaboration and critical reflection that could have improved it significantly. As Steve05 commented on IMDB: “Where's Lawrence Kasdan when you need him?”
This tendency to refuse input from others crippled the last three movies. Input from others needn’t even have been on the story, seeing as we’re effectively being told only one person can truly comprehend and contribute to it. What about some script-writing assistance? Getting feedback from the actors? All we are left with, and this was my overwhelming feeling while I was watching ROTS, is film-making by numbers, as if someone forgot to switch of the DVD commentary, with the voice of George Lucas in its all-encompassing ubiquity thundering above what was left of the Force, phrasing his thoughts on every scene in plain view of all: “Let’s start with a nice console game tie-in scene” or “This is to show character-development” or “Now we show some insight into his later actions.” I swear I heard it. It was frustrating how the story plodded along from dot to obvious dot, ensuring all the clichéd reference points of modern-day American movie making could be ticked off the list, while throwing in a dash of what ILM can do every now and again. It was like an invisible meta-plot was busy squeezing the film into course notes for Script-writing 101.
Even lenient reviewers have criticised the script (if anyone doesn’t, their reviewing license should be revoked), but what bothered me most was a further extension of the phenomenon above. It was as if Lucas forgot to remove script markers and never wrote the actual words. Cut to scene: Anakin kills off Mace Windu who flies out the window (now you know, Samuel). Anakin grabs his head and says despairingly: “What have I done!?”
May the Force be with us.
“What have I done”? Have we EVER heard that line in a movie? It’s as if Hayden Christensen, while practising how to pout and glare at the script underneath his half-closed eyelids, minutes before shooting, said: “Uhm, George, it just says here ‘Anakin stumbles back thinking what has he done.’ What am I supposed to say?”
“That’s not important! Just say ‘What have I done?’ – that’s what he’s thinking, ain’t it? It’s as good as anything else.”
The Internet is scattered with virtual cringes over the woeful and corny “NOOOOO” when Darth Vader hears he “killed” his beloved Padmé. In a blog discussion, some guy pointed out that there’s a “NOOOOO” in each one of the six movies…sigh
LEIA: Luke, what's wrong?
LUKE: Leia... do you remember your mother? Your real mother?
LEIA: Just a little bit. She died when I was very young.
LUKE: What do you remember?
LEIA: Just...images, really. Feelings.
LUKE: Tell me.
LEIA: (a little surprised at his insistence) She was very beautiful. Kind, but...sad. (looks up) Why are you asking me all this?
Poor Padmé. Not only did she and Anakin have to be married for her to become pregnant, as if the midichlorians (remember them?) formed a virtual chastity belt which could prevent conception, but at least in her virginal form (Episode II) she was allowed to fight and do stuff, even if it was only an excuse for us to see her midriff and to set up another straight-to-game moment. In ROTS she became a bumbling, diminutive, soppy, scary-hair sprouting, hallmark card caption uttering housewife sitting around in her yuppie pad looking like she needs some serious Valium. No more Queen, no more Senator, just someone who says “Ani” way too much, as if one of the twins she was carrying was actually forming in her head and slowly sucking the life out of her brain. And later on, the only female Jedi didn’t even manage to pull out her lightsabre or show a last fighting flourish like that Jim Jarmusch-meets-Tom Waits Jedi did. She probably trained the ‘younglings’, they were so useless.
George Lucas himself admits that Episodes I and II respectively comprise about 20% actual story and 80% filler, but that the 20% + 20% was necessary to build context. I like Michael Philips’s idea posted on his blog: “The first movie of the new trilogy should never have been made. The first movie should have had much less baby Anakin and much more young man Anakin. The second movie could have dealt solely with the temptation and transition to Darth Vader, concluding with Anakin deciding to go dark side, and the third could have been wiping out the Jedi. As it is, the Jedi are all wiped out in five minutes.”
The original trilogy had a feeling of space to it. Of distance. They travelled from place to place, planet to planet. In Episode III we’re everywhere in a flash and only to see a different backdrop for whoever’s sulking now. The Interstitial One, who watched it with me, got very frustrated with the continuous flipping, moving, sliding and rightly commented that it’s rarely possible to really take in the scenes: either it’s too busy, or like with that lizard thing, shown too fast, almost as if they’re trying to hide weatherman’s blur. The Interstitial One also made the point that George Lucas doesn’t seem to have a sense of humour beyond cutesy droid jokes. I concur, I got the same impression from interviews.
Star Wars movies have always relied heavily on music to set tone and warn of impending events, but I cannot recall being blasted by wave upon wave of canned music, telling me how exciting it is. Thinking back to Luke’s approach on the Death Star in what’s now Episode IV, there was such a good balance in sound, with Obi-Wan intoning “Use the Force, Luke” and Luke’s X-Wing bobbing like he's on a carousel. Now that’s a great sequence.
Anthony Daniels, who as C-3PO plays the only character that is in all 6 movies, mentioned the following in an interview: "I like being Threepio, and he brings happiness to a lot of people. But I would have liked the character to grow. There’s a beautiful scene cut from Episode III where Padmé asks Threepio if he’s happy. He soulfully confirms he’s not unhappy, but that he wishes Anakin had found the time to complete his handiwork on him. You can’t have everything in a movie or else it would take all day to watch, but I would have liked to have some more intelligent moments."
Eina.
Enough bitching. Let me get back to some redeeming points… ok… uhm…ahem
PS Congratulations to George Lucas for finishing the second trilogy and staying loyal to his, and only his, vision. I just wanted something else. Which says something about both of us.
PPS For a Yahoo poll on people's favourite Star Wars character, go here. Yoda. Han Solo. Darth Vader. That's the current ranking.